OpenFlix for Casting Directors: breakdowns, submissions, auditions and presentations in one place

Forty roles. One office.

You are casting

Three minutes on running a whole casting job — breakdown to presentation — in one place. Then decide.

We are pitching you, openly.

Here's the deal

No free trial countdown, no demo call to book. If the next three minutes do not earn the rest of your afternoon, close the tab.

Every objection, out loud.

We'll say them for you

“The good actors are not on a new site.”

“I already have a breakdown service.”

“My producers will never log in to anything.”

“An algorithm should not be choosing faces.”

“I cast commercials, not films on your platform.”

Each one is fair. The next two minutes answer four of them, and the fifth is answered by a project that needs no pitch at all.

Submissions in one inbox. Holds in your head.

The part that eats the week

Self-tapes in a link folder, avails in a spreadsheet, the producer’s notes in a text thread, and a first refusal nobody remembers to release.

The usual arrangement, turned around.

And look at who pays

The usual

Performers pay to be seen.

An actor pays a yearly fee to submit

A rep pays a monthly seat

The talent you want may not have paid

Your search only covers who did

Here

Productions pay. Performers never do.

Profiles, browsing and submitting: free, permanently

Everything a rep does: free

Create a project and roles: free

Publish a role to the open board: credits

What if the whole job lived in one place?

The turn

The breakdown, the submissions, the holds, the auditions and the presentation to your producers — one office, and nobody on the performer side paying for the privilege of being in it.

A casting office, not a listing site.

Meet OpenFlix Casting

Start a project for anything — a commercial, an outside feature, a student short. If it is a film pitched on OpenFlix, the roles arrive from its characters, lead first.

Write the breakdown once. Choose who sees it.

Show, not tell

Roles with terms

Rate type, union terms, played age, deadline.

Release to agents

Free. Reaches only the reps you choose.

The open board

Public, searchable, marked up as a job posting.

Off the board on time

A closed or expired call leaves the board, the page and the index together.

Paid means paid

Deferred pay and copy-credit-meals are never filed as paid.

Minors, by the rules

A minor role needs a project that allows minors.

Every submission, every hold, one pipeline.

Where the week goes back

Submissions

Pinned, avail, first refusal, released. Holds carry an expiry, and a lapsed one releases the performer instead of leaving them on hold for a job nobody is casting. Your ratings and notes stay with your team.

The rest of the job, built in.

From tape to decision

Auditions and self-tape requests on the platform’s own meeting scheduler

A swipe deck that deals one performer at a time, ranked against the role

Private to you. A pass is never shown to anyone.

Shortlists by name, as many as you like, private to you

A presentation link for each producer, with their own yes, maybe or no

Other viewers’ votes stay hidden, so nobody anchors.

An agency desk for reps: roster, bookings, invoices, commissions

The number that matters

0

for a performer or a rep, permanently

The production pays, and only to publish a role to the open board. Creating a project, adding roles and releasing a breakdown to agents cost nothing.

It explains itself. It cannot see what it must not.

How the matching works

Every suggestion comes with its reasons

It reads skills, accents, languages, played age, union and market

Ethnicity, gender and real age are never inputs

They are not on the table it reads.

Played age, not a date of birth

A ranked list is not a cast.

Now the honest part

The software sorts, schedules and remembers. It does not choose. Credits on a profile are entered by the performer, not verified by a booking, and there is no offer or booking step through casting yet — the decision and the deal are still yours.

A week from now:

Picture the next job

The breakdown out to your agents in an afternoon

Every avail and first refusal on one screen, with its expiry

Tapes requested and auditions booked without a single spreadsheet

A presentation your producers actually open

And you can see that they did.

Forty roles. Open the office.

So

Creating a project is free. You pay only to publish a role to the open board.

Open a casting project

Browse talent